The Story Craft Cafe Podcast

Becoming An Authorpreneur With Tonya Kappes | SCC 75

Amazon All Star Author Tonya Kappes has written more than 175 southern cozy mysteries, all of which have graced numerous bestseller lists, including USA Today and Woman's World Book Club pick twice . Best known for stories charged with southern charm, emotion and humor and filled with flawed characters, her novels have garnered reader praise and glowing critical reviews. She lives with her husband in northern Kentucky. Now that her four boys have flown out of the nest, Tonya writes full-time in her camper!
You can find her all over social media and at Tonyakappes.com.

Finding and repairing plot holes | SCC 74

When reading back over that first draft what happens when you encounter that dreaded plot hole. Pin sized plot holes are one thing, and hopefully easily resolved, but what happens when you could fly a 747 through the center of your plot? 

Grant Faulkner Talks About Building Community Around Your Writing Passion | SCC 73

Grant Faulkner is the Executive Director of National Novel Writing Month (NaNoWriMo) and the co-founder of 100 Word Story. He has published two books on writing, Pep Talks for Writers: 52 Insights and Actions to Boost Your Creative Mojo, and Brave the Page, a teen writing guide. He’s also published All the Comfort Sin Can Provide, a collection of short stories, Fissures, a collection of 100-word stories, and Nothing Short of 100: Selected Tales from 100 Word Story. His stories have appeared in dozens of literary magazines, including Tin House, The Southwest Review, and The Gettysburg Review, and he has been anthologized in collections such as Norton’s New Micro: Exceptionally Short Fiction and Best Small Fictions. His essays on creativity have been published in The New York Times, Poets & Writers, Lit Hub, Writer’s Digest, and The Writer. He serves on the National Writing Project’s Writer’s Council, Lit Camp’s Advisory Council, and Aspen Words’ Creative Council. He’s also the co-host of the podcast Write-minded.

Editing In The Context Of A Series... Or How Does This Piece Fit? | SCC 72

We've talked about characters, and we've plumbed the depths of plot, but what if the story you're telling is actually one piece of a bigger puzzle, a series? How does editing in light of a series differ from sanding off the rough edges of a standalone story? When is it appropriate to start building a series bible? How do you keep characters consistent, yet growing from one part of the series to the next? We'll debate the finer points this week with special guest Richard Fox.

Series Characters That Readers Become Attached To With Mark Greaney | SCC 71

Mark Greaney has a degree in international relations and political science. In his research for the Gray Man novels, including Sierra Six, Relentless, One Minute Out, Mission Critical, Agent in Place, Gunmetal Gray, Back Blast, Dead Eye, Ballistic, On Target, and The Gray Man, he traveled to more than thirty-five countries and trained alongside military and law enforcement in the use of firearms, battlefield medicine, and close-range combative tactics. With Marine LtCol Rip Rawlings, he wrote the New York Times bestseller, Red Metal. He is also the author of the New York Times bestsellers Tom Clancy Support and Defend, Tom Clancy Full Force and Effect, Tom Clancy Commander in Chief, and Tom Clancy True Faith and Allegiance. With Tom Clancy, he coauthored Locked On, Threat Vector, and Command Authority.

reWrite A Novel With Dabble In 60 Days | The Plot Thickens... Or How To Make A Story Roux

In our second week of exploring plot, we look at how to ensure that the action rises and falls in a way that will keep your readers on the edge of their seats. Does your plot serve the story in a meaningful way? Let's talk about it.

reWrite A Novel With Dabble In 60 Days | Plot, Or What The Heck Happened?

We've talked characters for the last couple of weeks, but do you characters actually do anything? Plot is where we tell the story of what happened, and what that happening does to our characters. This week we talk about determining if your characters' journey is a good one.

Publishing as audiobook originals with William Kent Krueger | SCC 68

The Levee
Raised in the Cascade Mountains of Oregon, William Kent Krueger briefly attended Stanford University—before being kicked out for radical activities. After that, he logged timber, worked construction, tried his hand at freelance journalism, and eventually ended up researching child development at the University of Minnesota. He’s been married for nearly fifty years to a marvelous woman who is a retired attorney. He makes his home in St. Paul, a city he dearly loves.
Krueger writes a mystery series set in the north woods of Minnesota. His protagonist is Cork O’Connor, the former sheriff of Tamarack County and a man of mixed heritage—part Irish and part Ojibwe. His work has received a number of awards, including the Minnesota Book Award, the Loft-McKnight Fiction Award, the Anthony Award, the Barry Award, the Dilys Award, and the Friends of American Writers Prize. His last nine novels were all New York Times bestsellers.
Ordinary Grace, his stand-alone novel published in 2013, received the Edgar Award, given by the Mystery Writers of America in recognition for the best novel published in that year. The companion novel, This Tender Land, was published in September 2019 and spent nearly six months on the New York Times bestseller list.

reWrite A Novel With Dabble In 60 Days | Filling Out The Rest Of Your Cast

So your protagonist has you feeling good, and you feel like their journey is solid, but what about the rest of the cast? No journey is a solitary one, and your protagonist is no different. How can he or she reach their potential without the help (or antics) of the folks around them? Join us this week as we look at the characters we choose to surround our protagonist with.

reWrite A Novel With Dabble In 60 Days | Putting your characters to the test SCC 66

In our second week of rewriting we are going to take a hard look at the characters that we've invited into our stories. Are these characters all we had hoped they could be? Do they move the plot forward and add emotional depth to our tale? Are we as writers giving our characters the best shot at success that we can? We're going to dig into it this week as we stand back and take an objective look at the characters we have created.